Donna Cameron

Cameron created her own process of making handmade films. She patented her “cinematic paper emulsion” in 2001, a process that combines photos and other paper materials into the material basis for her moving images. The filmmaker positions her work in relation to the other arts, saying that her work explores “the relationship of image to the frame, and the function of the frame within the framework of inter-media.” Cameron’s intermedial framing of her work extends to her her proprietary process: …

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